Partitions Numériques de Man in the Box pour Quatuor de Cuivres : 2 trompettes, trombone, tuba

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Man in the Box
Non classifié 784

Piano & claviers
Piano seul 26
Piano Facile 8
Piano, Voix et Guitare 7
2 Pianos, 4 mains 3
Orgue 3

Piano, Voix 2
1 Piano, 4 mains 2
Accordéon 1
Instruments en Do 1

+ 4 instrumentations

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Guitares
Guitare 8
Guitare notes et tablatures 8
Basse electrique 1
2 Dulcimers (duo) 1
Paroles et Accords 1

Ensemble de guitares 1

+ 1 instrumentations

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Voix
Chorale SATB 3
Chorale 2 parties 1
Chorale Unison 1
Chorale SSATTB 1
Chorale TTBB 1

Vents
2 Saxophones (duo) 93
Saxophone, Clarinette (duo) 34
Hautbois, Clarinette (duo) 19
Flûte, Saxophone (duo) 18
Hautbois, Basson (duo) 18

2 Hautbois (duo) 18
Flûte, Hautbois (duo) 10
Flûte, Alto (duo) 9
Flûte et Guitare 9
Hautbois, violon (duo) 9
Hautbois, Flûte 7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Clarinette, Guitare (duo) 4
3 Saxophones (trio) 3
Cor anglais, Guitare (duo) 3
Quintette de Clarinettes: 5 clarinettes 2
Quatuor de Clarinettes: 4 clarinettes 2
Quatuor de Saxophones: 4 saxophones 1
Clarinette, Trompette (duo) 1
Clarinette et Alto 1
Saxophone Soprano et Piano 1
Flûte, Violoncelle 1
Flûte, Violon, Violoncelle et Piano 1
Flûte traversière 1
Flûte, Hautbois, Clarinette, Basson 1
Quintette de Flûte : 5 flûtes 1
Flûte, Hautbois, Clarinette (trio) 1

+ 22 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 29
Trompette, Saxophone (duo) 23
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3

Cor anglais, Guitare (duo) 3
Trompette, Trombone (duo) 1

Cordes
Violon, Violoncelle (duo) 16
2 Violoncelles (duo) 16
2 Altos (duo) 10
Violon, Alto (duo) 6
Violon et Piano 3

Violoncelle, Piano 3
Quatuor à cordes: 2 violons, alto, violoncelle 2
Harpe 2
Alto, Piano 1
Violon 1
Violoncelle (partie séparée) 1
Trio à Cordes: 2 violons, violoncelle 1

+ 7 instrumentations

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Percussions & orchestre
Ensemble de cuivres 21
Orchestre 10
Orchestre à Cordes 3
Orchestre d'harmonie 3
Ensemble Jazz 2

Fanfare 1

+ 1 instrumentations

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Man in the Box

Quatuor de Cuivres : 2 trompettes, trombone, tuba

Partitions à imprimer

3 partitions trouvées

Škoda lásky (Rosamunde, Beer Barrel Polka)

Škoda lásky (Rosamunde, Beer Barrel Polka) #Quatuor de Cuivres : 2 trompettes, trombone, tuba #INTERMÉDIAIRE #Jaromir Vejvoda #F #Škoda lásky #Sweetwater Brass Press #

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Sco...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Score and parts. 41 pages. Sweetwater Brass Press #639202. Published by Sweetwater Brass Press (A0.1033890). Jaromir Vejvoda, born in 1902 in the Czech city of Zbraslav, was a fiddler and flugelhorn player. As a young man, he began writing music while working as a bartender. In 1927 he composed a particularly rollicking, toe-tapping tune. He persuaded the Czech-American composer Eduard Ingriš to write an arrangement for the piece, and the result was titled "ModÅ™anská polka" (ModÅ™any being the Prague suburb in which it was first performed). In 1934 Václav Zeman added lyrics, and the title changed to "Škoda lásky," Czech for “Wasted Love.” It also became known as “Rosamunde.” The public loved it. It was so successful that Vejvoda was able to quit tending bar and turn full time to music. The polka soon spread to other countries. Lew Brown and Wladimir Timm added English lyrics, and when the Andrews Sisters recorded it in 1939 as “Beer Barrel Polka,” it became one of their biggest hits. During World War II it was the favorite song of the Western Allies and has since been played and recorded by literally dozens of artists. Suggested tempo for this brass quintet “Škoda lásky” is 120 BPM. It opens in C major, changes to F major, then back to C. All five instruments get a chance to shine. There are no really tricky rhythmic patterns, and the notes are, for the most part, within the normal playing range of each instrument. Some possible exceptions: Trombone’s highest notes are F above the staff; it’s lowest, G at the bottom; Tuba’s highest notes are F in the staff; Trumpet 2’s highest are its G at the top of its staff. Completed in 2022, performance time runs about 3 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

$7.95 ≈ 7.36€

Breeze And I

Breeze And I #Quatuor de Cuivres : 2 trompettes, trombone, tuba #INTERMÉDIAIRE/AVANCÉ #Al Stillman and Ernesto Lecuon #F #Breeze And I #Sweetwater Brass Press #

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicul...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicultural,Pop,Standards,World. Score and parts. 37 pages. Sweetwater Brass Press #764401. Published by Sweetwater Brass Press (A0.1164066). Ernesto Lecuona was born 1895 in Cuba. Â He began piano lessons at 5 years of age and developed into a virtuoso pianist and internationally celebrated composer. Â In 1928 he composed Suite AndalucÃa, a six-movement piano piece portraying the people and places of the Andalusia region of southern Spain. Â Two of those pieces eventually achieved tremendous popularity as standalone songs: Â #2, â€œAndaluciaâ€ and #6, â€œMalagueÃ±a.â€ Â Lecuona had composed both in Â¾ time. Â Salvador Tutti Camarata reframed â€œAndaluciaâ€ in 4/4, Al Stillman provided English lyrics and the song was given a new title, â€œThe Breeze and I.â€ Â Jimmy Dorseyâ€™s big band recorded it in 1940 with the vocal by Bob Eberly. Â It was hugely popular, lasting nine weeks on the Billboard magazine chart and peaking at #2. Â Fifteen years later, Caterina Valente recorded both â€œThe Breeze and Iâ€ and â€œMalagueÃ±aâ€ to great success.Â Â Â Â This arrangement opens in A-flat major with Trumpets, Horn and Tuba laying down a Latin beat and the Trombone playing an opening lick. Â After the introduction, Trombone and Trumpets take turns with the melody, while Horn and Tuba provide variety and accents. Â On the second time through, the key changes to E-flat major and begins with a Trumpets-and-lower-brass fanfare. Â The melody repeats, but this time with a different take. Â Horn and Trombone take turns with melody and counter melody, then Trumpets take over. Â After several cascade effects, the tune reaches its end and Trumpets play an extended version of Tromboneâ€™s lick from the introduction. Â The group then repeats the final 16 bars of the tune and winds up with an extended ending treatment. Â Trombone once again contributes its opening lick, and the arrangement fades away . . . all to a Latin beat. Â Enjoy!Â Â Â Â Time signature is 2/2 and suggested tempo is 72 BPM, which is maintained all the way through. Â There are two instances of a one-bar change to 3/2. Â The fanfare at Section C contains a measure and a half of 16th notes. Â All notes are well within the normal playing range of the five instruments.Â Â Â Â Completed in 2023, performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. Â He would like to receive your suggestions, comments, corrections and criticisms. Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. Â (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

$12.99 ≈ 12.03€

Past Three O'Clock - brass quintet

Past Three O'Clock - brass quintet #Quatuor de Cuivres : 2 trompettes, trombone, tuba #INTERMÉDIAIRE #Noël #Traditional English Carol #Todd Marchand #Past Three O'Clock - brass qui #Con Spirito Music #

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726088 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Holiday...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726088 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Holiday,Traditional. Score and parts. 17 pages. Con Spirito Music #4790249. Published by Con Spirito Music (A0.726088). Past Three O'Clock (or Past Three A Clock) is a Christmas carol loosely based on the traditional cry of the city night watchman, set to the English traditional tune, London Waits.The tune and refrain have been known since the Renaissance, and both were possibly used by London's waits (also waites or waytes). According to the Encyclopaedia Brittanica (1911):The earliest waits (those of the 14th and 15th centuries) were simply watchmen who sounded horns or even played a tune on a flute or flageolet to mark the hours. This appears to have been known as 'piping the watch....' The duties of the London waits, which included playing before the mayor during his annual progress through the streets and at city dinners, seem to have been typical of all 16th- and 17th-century city waits. The London waits had a special uniform of blue gowns with red sleeves and caps, and wore a silver collar or chain round the neck. In the 18th and early 19th century the ordinary street watchmen appear to have arrogated to themselves the right to serenade householders at Christmas time, calling round on Boxing Day to receive a gratuity for their tunefulness as well as their watchfulness. When in 1829 their place as guardians of the city's safety was taken by police, it was left for private individuals to keep up the custom.This arrangement of this sprightly tune features the Westminster Chimes (aka Westminster Quarters or Cambridge Quarters), the tune written for the clock tower at Cambridge in 1793, as introduction, in accompaniment, and at the conclusion of the piece.Â©Copyright 2019 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com

$15.00 ≈ 13.89€

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